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L60					back of 127                                                   162					128
                                                                      
inscription being MCCCCLV.  Optime Jacobo Manroceno                          SAN GIOVANNI AND PAOLO
procurante, his sedil haec marmora sunt adjuncta                      Punfic tomb, and I strongly suspect Tedesc influence
So now we get it all pretty well together and Contarini               later in their choir stalls:  The date of Tabernacle in
fosaca as well.                                                       San Tuccania is 1443.  It would be worth while to-morrow
                                                                      making a note of a flamboyant boss at the Frari to compare
                                                                      it with a St Mark’s ball.  Note [Nots] what Selvatine says also of
                                                                      St Marc, and of the dossale di Leguo of the Frari.
                                                                      To-morrow, if pos% see this dossale at lateral door.  Note
                                                                      flamboyant door and niches.  Dag. The tomb and so to St
                                                                      Mark’s
                                                                      No 108    Fig 3.   This is I think the earliest occurrence of the leaf
                                                                      with the curled lobe at top, it is the capital of one of
Another step forward from the curling of the upper lobe               the nave piers of San Gio  at Paolo It is very finely cut
is to put fruit inside of it, hold by it, a great mistake             flowing and beautiful:  and doubtless the Franciscan sculp-
leading to the whole heavy system of the late Venice                  tors thought it a[s] great step when they had changed the
Gothic.  This is done if I mistake not in a very early                rude sharp Byzantine cutting into that flowing leafage, of
instance in the columns supporting the first story of the             which fig 5 is an expanded leaf:  the idea being that this
house close to the Miracolo;  when the door has the                   leaf should be set with its upper surface towards the
gabled dentil curiously introduced;  and when;  in the                capital bell, and then head round, showing it rib outside
second story of the court there is a leaf capital of the              at top:  But the  capital though far finer in workmanship
greatest lightn4ss and heavenly  beauty, with a pair                  is far inferior in effect, to earlier ones:  Observe its
of slender cusped 5th quite exquisite.                                simplicity all cut down from abacus: no circular bell set
This light leaf capital cutting ought to give me a day’s              under while in the
studyit seems to spring from the early  cut of Lombard
of J.M. Mater D.

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[Version 0.05: May 2008]